Task 1A
Adventure
Adventure has a very broad meaning. It could mean a huge
journey through the Amazon rain forest to an interesting trip to the post
office. Its an exciting or unusual experience that involves some kind of risk.
H.R. Giger
"The face of this thing is a real human skull," O'Bannon,
who witnessed the artist at work, told Fantastic Films magazine.
"He took a human skull and jammed it right on the front, riveted it into
place and then started modifying it. It was such a beautiful human skull. It
had been a real person, not like one of those plastic model kits, and he takes
out his hacksaw and he saws the jawbone off and extends it like six inches. He
puts an extension on it, and creates this distorted jawbone. Then he starts
attaching other fixtures to it and building a new extension on to the back of
it. He's doing this to a real human skull. When he finally [finished], a cast
was made of it. It was a craftsman who actually cast the rubber costume of
Giger's sculpture. When they were finished casting in rubber, he used his
airbrush and painted the costume the same way he does his paintings. I truly believe that that monster in
Alien is absolutely unique looking. I think it is two strides beyond any
monster costume in any movie ever before." – Quote from H.R.Giger.com
These images were done with pencil. I own one of these and
cannot fathom how he did this. The image on the right feels like it’s a diagram
from a science text book, which actually makes it feel creepier, as if it’s
real. The whole idea of a creature that implants its offspring into creature’s
bodies sounds like something that could really happen. The person being
attacked looks like a cpr dummy which, again, makes it seems like a diagram
from a science book. My only problem with the image is the object on the right
that the man is leaning on. It looks like it’s been drawn at a different angle
to the rest of the picture. I think adding colour to these images would
probably spoil them because it would make them look warmer, cancelling out the
cold harsh feeling of space.
Steve Dillon –Spiderman, Hellblazer
Steve Dillon’s art fits into most comic books well. His
issues of Hellblazer and The Punisher all have distinct looking characters,
though the appearance of the art can become much more light hearted or a lot
creepier depending on the colourist. The structure of the faces is always very
angular, which works well sometimes, but other times (The image on the left) it
just looks strange. On the right is a page from Hellblazer in which the art and
the colour blend together perfectly. The dull, pale colours give the page an
unsettling look as Constantine convinces a teen that he’s just been cursed
(When in actual fact he just said a bunch of gibberish). Something I don’t like
would be the image on the right. It doesn’t look much like Peter Parker, with
him having an almost square shaped head and a spiked haircut. He also looks to
be in his mid-30’s despite Peter having been in his 20’s for the last 50 years.
Mike Dringenberg – The Sandman
The art for the first half of The Sandman was done by Mike
Dringenberg, who hasn’t really done much else. His pictures have a lot of
shadows and he’s very good at drawing gothic characters. The shadows in the
images help give a sense of creepiness and mystery to the characters, somewhat
of a warning that they are not as pleasant as they seem. A big problem with his
art is how he draws average people. On the left is a good example. His facial
features are too plain and he just looks odd. His drawings of Death (The lady
on the right in the first image) are done really well. She looks normal but
creepy for some reason, like she has some kind of ulterior
motive.
Bryan Lee O’Malley – Scott Pilgrim
The art in Scott Pilgrim (And O’Malley’s other work) is
inspired by Japanese manga, which works really well with the content of the
series. It shows off the humour and gives some really cool fight scenes. The
characters are all easily distinguishable, which can sometimes be a problem in
manga. The art doesn’t work as well for
some of the more dramatic scenes. They have recently begun releasing coloured
version of the comics which I don't think look as appealing, as something I
always found amusing in the Graphic Novel was that all the characters were
aware of Ramona's hair changing colour, while the readers had no idea. It could
literally be any colour.
Ben Templesmith – 30 Days of Night, Dead Space
One of the things that always stood out about 30 Days of
Night was the art. When you first see it, you think “This looks pretty silly”.
But as you get further and further into the comic the art becomes creepier and
creepier. During the attack on the town, the art is just downright scary. The
vampires are drawn with lots of ferocity. The art really stands out when
drawing the surroundings and the gore. Combining the snow with the bloodshed
makes for a disturbing scene. In the Dead Space comics, the bits of the art
that stick out the most are definitely the Necromorphs. They are drawn with such
detail that you can really see where the organs of the human they used to be
ended up. The only real problem with the art is when he draws people. Most of
the time they look off. Their faces are too circular and their teeth look off
for some reason. Its very noticeable when they are shouting and screaming.
Takeshi Obata – Death Note
Takeshi Obata is the artist behind the manga Death Note. I
think his strongest point is facial expressions, which all look
amazing(Especially the main character, Light's). His work on the various
shinigami throughout the series is extremely impressive. They all look unique
(Even the ones only seen for a few pages) and some on them especially creepy.
Ryuk is easily the creepiest of the shingami, with a permanent grin on his face
and his head seemingly attached through various piercings surrounding his neck.